These are the pieces we ended up recording:ĭrums-Programming: Tom (Toontrack SD3 /Hi-Hat). We only had a total of eight months in which to finish recording, with another three weeks needed for mixing and mastering. The songs from the list above that we didn't record didn't make the cut only due to lack of time. Martin Brilla and Nina Morgenstern helped with the final selection of the pieces, with the latter also providing valuable advice regarding arrangement options through expert analysis of Anthony's often somewhat cryptic song lyrics. Also set from the beginning was the intro to Slow Dance, which opened both days of the Anthony Phillips event and which we recorded in my studio shortly after. However, the album should represent as much as possible of his entire wide range, including more complex, progressive and faster pieces as well as instrumentals. Lucy: An Illusion, Master of Time, The Beggar and the Thief, Queen Bettine, She'll be Waiting, Sistine, Sanctuary, Stranger, Seven Long Years, God if I Saw Her Now, Unheard Cry, Moonfall (from Masquerade), Alex.īut it was soon clear that the concept could not be kept up too strictly, because these songs predominantly emphasize the pastoral, melancholy-introverted side of Anthony Phillips' work. These pieces were on the very first preliminary shortlist: These were to be expanded, completed and carefully modernized with new, more complex arrangements. Many sketches and demos from his album series Private Parts & Pieces would have been suitable for this. Unlike the album by the American band Rocking Horse Music Club, which was released at the end of 2019 and contained mostly cover songs from the lavishly produced albums The Geese & The Ghost, Wise After The Event and Sides, the concept of ANT BAND focused more on pieces that Anthony Phillips himself had recorded only sparsely arranged for various reasons.
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